Showing posts with label Nostradamus. Show all posts
Showing posts with label Nostradamus. Show all posts

Thursday, March 12, 2020

Nostradamus Says, “Wash Your Hands!” and “Don’t Eat Meat!”




Nostradamus


When my daughter first went to school, I asked her many questions about her first day, including if the teacher had led them down to the bathroom to wash their hands before lunch.

She looked at me as though I had just suggested something very weird, like did they all jump off the roof?

“No,” she said.

“No!” My turn to be astonished. “You didn’t wash your hands before lunch? How about after lunch?”

“No.”

I felt like a very fussy old lady who’d been taught by a bunch of other fussy old ladies. (That could be true. But, fussy old ladies are often right.)

I have recalled this incident several times during the news about the coronavirus. I know that children are doing very well with the illness because they are exposed to so many germs every day that their immune systems have responded to that exposure by getting stronger. Yes, they are getting well faster than other more vulnerable groups like the sick and the elderly. But, generally speaking, they do get sick a lot! My daughter was never sick until she started school. Then, she got sick every few weeks from something that was going around the classroom. 

Of course, she also got well. Often, not easily. A few times, I slept with my face on her bed to listen to her breathing. I wiped her brow with a cold face cloth, her neck, the inside of her elbows, to reduce fever. Of course, I used medicine too. And diet. As a practicing macrobiotic, my child has been macrobiotic since before birth. We ate and still eat very simply at home: brown rice, vegetables, beans, sea vegetables, occasionally fish when good quality fish can be found. When she was sick, I fed her simple, clean foods to get her well and strong, usually brown rice and veggies, and fruit.

But, why is this article titled “Nostradamus Says Wash Your Hands and Don’t Eat Meat?”

Nostradamus, besides being a prophet, was also a renown physician. Born in 1503, in France, the son of a grain merchant, Nostradamus was well educated in both Hebrew and Christian religions as well as Latin, Greek, astronomy and mathematics. At the age of 14, he entered medical school at Avignon where he pretended to learn all the wrong things in order to pass. As the son of a grain merchant, I like to think Nostradamus had a background in good quality food and cooking. He certainly had strong common sense. Nostradamus couldn’t hang around medical school and wait for his degree; he had to get out there - medieval France and Italy - and cure the Bubonic Plague. Nostradamus cured the Bubonic Plague, which had originated from flea bites from flea infested rats, using hygiene: he burned the infected clothing and bedding of plague victims; he encouraged them to wash and keep themselves clean at a time when washing was thought to be dangerous - one’s skin could fall off! He also used immune-strengthening Vitamin C that he had garnered from rose hips; he made his own rose pills and preserves. In order to keep their blood clean, Nostradamus advised his patients to not eat anything unclean, which in those days was a Biblical reference to animal food, that is, meat or anything coming from an animal, such as eggs or dairy. Lastly, and this is vital, plenty of fresh air!

PETA published an important letter today from their Australian Director saying this: 

“The virus, an anagram of carnivorous, appears to have emerged from a fish market that was also selling wild animals such as beavers, porcupines and snakes in the city of Wuhan, in central China. The 2002-2003 SARS pandemic was similarly traced to civet cats. In these markets, urine, faeces and other bodily fluids from live, wild animals end up mixing with blood from butchered ones, providing ideal breeding grounds for viruses and bacteria.

Overwhelmingly, human diseases start with the abuse of animals. Hunting and the appropriation of animals’ habitats has led to diseases such as Hendra and Ebola. The 2009 H1N1 epidemic started in pigs. Measles originally came from cattle, and whooping cough from dogs.” 

And what about that recommendation of fresh air? I can’t help thinking after stories of some of the quarantine situations I’ve read about - including a room in Vietnam that had no running water and no toilet - cruise ships, isolation rooms, army tents, that people being held together, sick and not sick, breathing the same stale, circulating air are just getting more and more sick. One passenger of a docked cruise ship said, “We’re sitting in a petrie dish.”

I mean, Nostradamus was curing the plague in 1536! He was telling people to wash their hands nearly 500 years ago! In Vienna, almost 400 years later, Dr. Semmelweis  couldn’t get doctors to wash their hands after examining cadavers - before they put these filthy hands up inside of women who’d just given birth. The doctors said, “Why wash our hands, they’re just going to get dirty again!” 

Dr. Semmelweis suspected that the death rate for childbirth in his hospital was being exasperated by infection from the examining doctors’ germ-ridded hands. After all, the midwives, who washed their hands frequently, did not have such a high infection and death rate among their new mothers. No one would listen to Dr. Semmelweis who died of the very infection he spent his life trying to prevent.

We are also vulnerable during this time from infections that occur only in hospitals that are resistant to any known antibiotics - resistant, ironically, back to PETA’s warning - because we consume animal products from animals that have been fed so many antibiotics every day, the bacteria become resistant. Why are these animals - usually cows, pigs and chickens - fed antibiotics? Because they live in filthy unnatural conditions with little or no fresh air, often in feces and urine, a veritable disease soup.

Recently, on the PBS talk show Greater Boston, an informative gem readily available to us online and on TV, Stephanie Leydon, WGBH News, talked about super bugs mutating and becoming resistant to drugs, saying, “100 years ago during the Spanish flu outbreak, it wasn’t the flu itself that caused most deaths, but bacterial infections.” https://www.wgbh.org/news/local-news/2020/03/11/coronavirus-surprised-the-world-but-doctors-have-been-sounding-the-alarm-on-another-global-health-threat-for-years

And, here we are. 

There are many sites for information on the coronavirus, much of it erroneous, so I’m going to advise going to the CDC for all coronavirus questions. I cannot speak to you as a medical professional, so I’m going to speak as a mother and as a friend.

We all wash our hands at home. We take off our shoes when we come in the door. I wash my hands whenever I touch something from the outside and before (and after) I touch food. 

The Triangle of Good Health: Nutrition, Sleep, Exercise has always been a basic part of my life and it’s so simple, though not always easy to implement. Often, we can’t get the sleep we need, nor do we have time to exercise. However, nutrition should never be allowed to slacken. Here is a good base for every day nutrition: the Healthy Plate:




Though recently re-emerged from Harvard, this simple plate has been with me since elementary school. I have, since then, updated my protein from meat to a healthy vegetable protein of beans, or occasional good quality fish. (Our fish supply has also been usurped by factory farms, so it is not as easy to find good fish as it used to be. Be careful: good fish looks good and smells fresh and clean; its edges are moist, not dry and curled; it smells sweet, not fishy; the flesh is white, not yellow or rubbery.)

Other sources for good healthy choices are:


Denny Waxman's Up-coming Macrobiotic Lecture on the Macrobiotic Approach to the Coronavirus, sign-up link, $10 suggested donation (I am not affiliated with this program, nor do I profit from it, except by knowing I’ve given you the info!) 

Allen Campbell: Nutrition Studies Allen Campbell was Tom Brady's nutrition coach and chef. His advice on non-inflammatory foods has helped me a great deal with any occasional pain.

Please do your best and stay well and happy! And remember what Nostradamus says, "Wash Your Hands!" and "Don't Eat Meat!"

Edward Esko live online lecture on Coronavirus.



©Patricia Goodwin, 2020

Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation. Her newest poetry books are Telling Time By Apples, And Other Poems About Life On The Remnants of Olde Humphrey Farme, illustrated by the author, and Java Love: Poems of a Coffeehouse.

Within this blog, Patricia writes often about non-fiction subjects that inspire or disturb her, hopefully informing and inspiring people to be happy, healthy and free.


***Disclaimer: The information on this blog is not meant to substitute for medical care. Please consult your physician before beginning any new dietary guidelines. 



Tuesday, June 6, 2017

The Divine Feminine: Mary Magdalene, Botticelli’s Venus & The Last Page of Nostradamus’s Lost Book







Botticelli's Turin Venus, 1490





Mary Magdalene, Gregor Erhart, 1502-3



Jesus had sex. He fell in love with Mary Magdalene. He married her.

How does that change everything?

I was brought up Catholic. I still remember the day I was standing in my bedroom and I realized with a shock that the Bible story of Adam and Eve was really about men’s abject terror of women. I envisioned a group of powerful, old men sitting around a huge table deciding what the Bible should say. In my gut, I knew they were trying to control people through fear. I never went to church again. My realization came as a result of hearing what I was not ready to hear from the lips of Gloria Steinem. I was about 16 when saw her on television; she was making a speech at a woman’s college, I didn’t know where, I was too young and too out of it politically at the time to know. This is what she said: “Oh, honey, if men could get pregnant, abortion would be a sacrament.” Years later, I would meet Ms. Steinem and she would tell me she wasn’t the one who had initially said that – it had been uttered by a Irish female cab driver in Boston. The Irish. But Gloria’s voice rang in my head and in my heart. As I stood in my bedroom that day, all of recorded history ran out from under me like the ocean tide. I knew, I just knew, she was right and that somehow I’d heard the key to everything.

Fast forward to Dan Brown’s The Da Vinci Code. A friend of mine gave it to me and I read it. I read it, though it read like an episode of Charlie’s Angels, one car chase after another, and I wasn’t satisfied, though I suspected once again that I’d heard something important. So, I went to the source. No, not the Bible. I’ve stayed away from the Bible since that initial shock. As a student and a seeker, I did not trust it and I did not want to corrupt my mind. I’ve read the gospels that were not allowed into the Bible, however. The Gospels of Mary Magdalene, The Gospel of Judas and The Gospel of Thomas – all hidden by faithful Knights Templars in terracotta jars in the desert only to be unearthed in the 19th and 20th Centuries. I figured that was where the truth would be.

I turned to Dan Brown's source, Henry Lincoln’s Holy Blood, Holy Grail. There’s a story in the introduction of the edition I read about how Henry Lincoln came to realize the true story of Jesus and the Holy Grail. He found a cheap romance novel at a bookstall along the quay in Paris, something to read on the plane. To his astonishment, the story was one he’d never heard before. Like me, he recognized something revolutionary that re-wrote history as we know it. He was so amazed that he called the author. “Why have you written something so important in such a foolish form, as a romantic novel? This is revolutionary! This should be written as a scholarly work.” The author replied, “We were waiting for you.”

So began Henry Lincoln’s journey of discovery. He teamed up with fellow investigators, Michael Baigent and Richard Leigh, to follow the trail of the clues revealing the truth about what has been called in The Da Vinci Code, “so dark the con of man.” But, Lincoln’s book read in an evidentiary, masculine way. I wanted more. I wanted to get to the heart of the matter. Mary Magdalene. Who was she? What was the story of her and Jesus? Where was Sarah, their daughter? It was the work of Margaret Starbird's The Woman with the Alabaster Jar that finally gave me the answers I sought. Starbird was a devout Catholic when she read Henry Lincoln's book, Holy Blood, Holy Grail. She was astonished and offended. She set out on a scholarly quest to prove him wrong. What she found, however, shook her faith. 

Although the Catholic Church has been caught doing all sorts of dirty deeds, thousands of believers in the Catholic lie still cram into St. Peter’s Square every Easter Sunday. What is the lie? What is the "con of man?" That Jesus was celibate – sex is bad, very bad (unless you’re a priest or a fat cardinal, then you can abuse children) – that Jesus died for our sins, and, most importantly, that the only salvation and, in the Church’s own words, the only “guarantee of heaven” rests with the Catholic Church, so give money. I was in my fifties by the time I was able to truly digest everything. It was all so horrible and true. They killed everyone who didn’t agree, including the lovely Cathars who had settled in France, the land of Mary Magdalene, to marry and farm and live in small communities. The Catholic Church slaughtered them. Through the ages, the Church has caused wars and Inquisitions. They abused children on an international scale, harvesting from their own schools, parishes and orphanages, including the famous, Boy’s Town. Yet, the hypocrites would not allow Catholic men to wear a condom even in the marriage bed. As I cried out to Gloria Steinem, making her laugh, “All that guilt, for nothing!”


We can laugh now. We can choose how to live. But, in ancient and medieval times, the message had to be held secret in order for the truth to stay alive.

Starbird not only talks about who Mary Magdalene was, she documents how people have kept the truth about Jesus and Mary alive throughout the centuries through the vehicle of art, coded images of Mary and Jesus in songs, stories, paintings, sculpture, architecture, coats of arms, and even secretly coded watermarks hidden in the weave of fine paper. The medieval troubadours were not singing only about personal love when they sang of “my lady” – they were singing of the eternal truth – the eternal love of the Divine Feminine. My favorite story that Starbird recounts is the meeting between Mary Magdalene and Jesus in the garden, after he rises from the dead. Mary addresses Jesus as "Rabini!" An affectionate nickname only used by the wife of a rabbi when addressing her husband. This story is also in The Gospel of Mary Magdalene. Starbird also tells us, and it is confirmed in Mary's Gospel, that the apostles were very jealous of Mary because Jesus seemed to favor her. They complained that he kissed her on the mouth. They complained that she had wasted money on precious oil to anoint his feet. There is also plenty of artistic "evidence" among many centuries of artists of the Priory of Sion that Peter - that "rock upon which Jesus said he would build his church - had tried to assassinate Mary by stabbing her. The apostles also responded negatively to Mary's telling them she had seen Jesus. They were jealous that Jesus hadn't appeared to them first. Then, they began to cower in fear, "What will we do now without him?" Mary's response was simple, she told them, "Man up!"

Which brings me to the current exhibit at the Musuem of Fine Arts in Boston, “Botticelli and the Search for the Divine.” When I viewed the exhibit, I was struck by the resemblance between Botticelli’s Turin Venus as exhibited at the Museum and Gregor Erhart’s statue of Mary Magdalene at the Louvre. It’s my curse to see these resemblances and to remember. I knew Erhart, who was very influenced by the Renaissance, must have been of the Priory of Sion, those who protect the truth about Mary Magdalene and the bloodline of Christ. I didn’t need written proof in a diary or a letter or a secret coded box. Proof was right in front of me: the naked body, the long, flowing red hair (sometimes read as strawberry blonde), and the beautiful, serene face. Traditionally, women's hair was thought to be incredibly sexually stimulating, and, therefore, evil, in the eyes of the Church. Married women covered their hair in ancient times, and, until fairly recent times, women would put their hair up in a tight, modest chignon after they got married. Only the seductresses ("seduced by tresses") - Eve, Mary Magdalene - were pictured with long, loose, free-flowing hair. Nudity, long hair, pride. The message of both works is the same – the Divine Feminine. For its reference to the Divine, the MFA exhibit focused instead on the religious paintings of Botticelli and others of the time, mainly, the Madonna and Child.


But, that also works for me. The Madonna, sometimes called, “the other Mary,” was considered a virgin. But, a virgin in ancient times was not necessarily someone who hadn’t had sex. A female virgin was an autonomous woman, a very strong and powerful force. 




The Last Page of Nostradamus' Lost Book


The Roman goddess Diana comes to mind, the fierce, virginal huntress, whose symbol was the deer. On the last page of Nostradamus’s Lost Book, we see two women facing a deer (Diana, the virgin). Nostradamus’s Lost Book, a collection of eighty watercolor images probably painted by Nostradamus’s son, Caesar, was discovered in 1994 by the Italian journalist Enza Massa at the Central National Library in Rome, Italy. She found them hidden in another book. (It is not the first time Nostradamus revealed himself to a woman. The first I heard of was Erika Cheetham, who came to the Taylorian Library at Oxford to study, but was given the wrong books. She was handed The Prophecies of Nostradamus instead of the books she had ordered. Luckily, Cheetham was a scholar of medieval French and could decipher the quatrains. She became fascinated and went on to write several books about the Nostradamus and his prophecies.) 

The Lost Books are a turmoil of images that need to be translated. Nostradamus wrote in the 16th Century. He feared the Inquisition, which raged across the world for nearly 400 years. He had to write in code. The images of women at the bottom of the last page are a reference to the Feminine Divine - a message of hope to the world. We have been suffering in a male dominated world – materialistic, artificial, violent - that has finally destroyed itself. At the top of the page, we see the Wheel of Life as a funeral wreath, yet the star of human inspiration continues to burn. The books are unwritten. We may now write whatever we choose. However, the Feminine Divine will have to be our foundation for a new world. The architectural building blocks of X, Y, and Z (the Cartesian Spatial Coordinates) are carved into Nostradamus’s forehead. They still exist. We can rebuild. The connections to Mary Magdalene, the Virgin Mary and Jesus are strong. Nostradamus said in his letter to his son that he was “continuing the prophecies of Jesus” by writing the Quatrains. The images of the Lost Book are a continuation of his early work. The deer (Diana) shows the pure strength of women. 



Parthenon, Athens



Eglise de Madeleine, Paris

Notice the resemblance of the Greek temple of Athena (Roman, Diana), the Parthenon, to Eglise de Madeleine, the Church of Mary Magdalene in Paris. For Nostradamus, who was right about so many things, including Napoleon, Hitler, and 9/11, a return to the Divine Feminine, a more natural, loving, caring way of being was the only future path to save mankind.

Let’s look again at Erhart’s statue of Mary Magdalene. She is as naked as Eve.


She bears a striking resemblance to Botticelli’s Venus: the long, reddish blonde hair; her nudity; her classical contrapposto-like stance with lifted foot and thrusting hip; her sculpted form and marble-like skin, though she is sculpted of one piece of lime wood, the wood is polished and lightly painted. Her expression is serious, but sweetly calm, even resolute. The skin of Botticelli’s Turin Venus shimmers through her sheer dress from tiny gold flecks in the paint. She is painted on a deep black background causing her rounded form to appear full-fleshed, real, about to step out of the frame. Her face is serene, happy, and welcoming; yet, she holds a secret. The Catholic Church wants us to believe that Mary Magdalene was penitent for her previous life as a prostitute, but, Magdalenas do not keep that belief that she was ever a prostitute; true to the Feminine Divine, Erhart’s Mary Magdalene looks proud, not ashamed.



Botticelli, The Birth of Venus, 1486


Erhart's Mary Magdalene statue was meant to be seen from below, as she was supposed to be suspended from the church ceiling, surrounded by angels. The legend reports, during her contemplative years later in life, Mary was lifted by angels and celestial music to heaven seven times daily – very like Botticelli’s Venus (Birth of Venus) being blown to shore by nymphs and demi-gods. Erhart’s statue was not to hang above the altar after all; her destiny was to stand in the Louvre. The Louvre explains, “The languid pose and the meditative expression are intended to convey the penitent's mystic ecstasy, while her marvelous beauty and glossy golden locks are meant to evoke her holy radiance.” I see her hair as red, traditionally the hair of a harlot, but everywhere it is described as blonde, as is the Venus’s hair. One of my favorite stories about Mary’s hair: In a sermon given in the early fifteenth century, St. Bernardino of Siena (1380-1444) declared that Mary Magdalene’s "third sin was through her hair" which, he adds, "she did everything to make herself more blond" through a practice of "staying in the sun to dry her hair." I love that. I do that. It makes blonde hair sparkle with light! Obviously, St. B must have lustily observed a blonde girl drying her hair in the sun.


Mary’s hair was long enough to wipe the feet of Jesus -


Rubens, Feast in the House of Simon the Pharisee, 1620

Erhart’s Mary does not look penitent, as so many Mary Magdalenes are portrayed. One of my favorite penitent Marys is this one by Caravaggio, full of silent messages to us -


 The Penitent Magdalene, Caravaggio, 1594


You can see that Mary seems to have empty arms. She seems to be cradling a baby that is not there, Caravaggio’s way of speaking to us, telling us he is of the opinion that Jesus and Mary Magdalene were married and had a child, but the Church will not acknowledge this fact, so he has painted Mary’s arms empty. On her skirt, Caravaggio has depicted the scallop shell, a direct reference to the Venus and the vagina, the sacred feminine, the shell upon which Botticelli’s Venus travels to us. The word, Mary comes from the Latin, stilla maris, "drop of the sea.” La mer, the sea, from which all life is born. Another reference to the Venus, Goddess of Love, Beauty, Desire, Sex, Fertility, Prosperity and Victory, born fully-grown from the sea.

The Venus shown at the MFA came from Turin. Turin is not only the resting place of The Shroud of Turin, that burial cloth that reveals the face of Jesus, salvaged and treasured by the Knights Templar, those champions of the legend of the San Graal, or the holy Bloodline of Christ within the sacred chalice of the pregnant Mary Magdalene. Turin is also the home of the Stone of Turin, whereon Nostradamus carved an inscription, or key, to help future truth seekers decipher his prophecies.

The legend of Mary Magdalene, Botticelli’s Birth of Venus, Nostradamus - in all of this - nudity, hair, pleasure, sex, fertility, prosperity - we must not forget the most basic human need - food. Jesus meant for us to live a natural life. Yes, he had sex. Yes, he married and had at least one child the legend tells us, a daughter, Sarah. But, Jesus did not, to my knowledge, address the terror of artificial food, the illnesses and death that follows false food, including the death of our planet. The gentle life of the Cathars, demolished by the Catholic Church, was such a life – a simple, agrarian culture. All of this legend, all of this secret coding, beautiful art, stories, gospels, truths, all culminate in one truth – we must find a way to live life according to nature, not against nature.



©Patricia Goodwin, 2017

Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation. Her newest poetry books are Telling Time By Apples, And Other Poems About Life On The Remnants of Olde Humphrey Farme, illustrated by the author, and Java Love: Poems of a Coffeehouse.