Most of the questions I get from readers about my novel Holy Days are personal, about my experiences. However, some readers
have asked me about a couple of seemingly far-fetched elements in the book –
namely the bow and arrow and the handsome young Italian who seems to step out
of Romeo & Juliet (Luke was more of a Tybalt than a Romeo) right into Holy Days.
I wrote Holy Days almost exactly as it happened.
I had to. In order to do justice to what happened and how it happened. To do
justice for the victims. I did not want to change the truth.
*First, I’ll
address the bow and arrow. A few readers have said the bow and arrow seemed to
appear out of nowhere. “What a surprise!” I wondered if they’d been paying
attention? As a young girl, Gloria was enamored of the Robin Hood story. She
loved Robin, and Maid Marion, whom the story told, was a better rider and
marksman than Robin. Gloria found the words wonderfully beautiful. She found
the ideals courageous and powerful. Gloria, after being raped, regresses
somewhat into the comfort and strength she found in childhood in the noble beauty
of the Robin Hood legend. The night of the rape, Gloria falls asleep with her
body wrapped around her old Robin Hood book so tightly, she wakes with cramped
arms. The next day, when her friend is molested in broad daylight on a crowded street, Gloria is furious; she runs after the man clutching the long bow she just bought. So passionate and distraught is she that she forgets she has it and nearly trips over it. Remembering, Gloria stands and readies the weapon. Gloria had to use the bow and arrow. No other weapon would have sufficed because
Gloria commits a hero’s murder and she needed a hero’s weapon. The truth of the matter is that the molestation really happened and I ran after the molester. I obviously did not have a long bow and arrows or you would have heard about it.
Now, our young
man, Luke.
It may be astounding
to my readers, but Luke was real. I was his teacher, not his love. Such an
amazing person really did appear in my classroom on the first day of my student
teaching. He really was from Italy. He really had long, dark hair. He really
was 20 and turned 21 during the school year. The other kids really did love him.
They were a wonderful class, full of joy and affection for each other. It was a
revelation to me to witness how they treated one another, as I had mostly known
spite and violence. They really kidded him gently about his name, which was not
Luke, but in its formal expression did sound feminine like Luciano. He really
was working as a shoe repair guy and he really planned to return to Italy
against his father’s wishes. His girl friend really did not want to go back with
him, which caused him pain and confusion. She really preferred to enjoy her
material success as a Firestone tire saleswoman. Luke really drove a classic
red Alfa Romeo of which he was very proud.
The real Luke
inspired me. He showed me that living another kind of life other than the one
expected of you was a possibility. (Sometimes I think he was an angel sent by
God to show me another way to live.) I developed him into a character because I
wanted Gloria to have someone unique. Someone younger than she, someone to
inspire hope for the future, someone with a fresh outlook, someone brave and
smart enough to take her on, someone who desired a simple, natural life. I
never would have believed such a young man existed in reality if I had not met
him myself. Luke was real. He was really fine, really intelligent, really sweet.
Quiet, and more serious than the others. I never forgot him. I gave him to
Gloria.
*Note: Holy
Days was finished in 1996. Obviously, I wrote the murder scene long before The
Hunger Games books (2008) were written. Not crazy about sharing my hero’s
weapon, but I’ll be gracious to a fellow writer.
©Patricia Goodwin, 2016
Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation.
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