Showing posts with label Home. Show all posts
Showing posts with label Home. Show all posts

Tuesday, May 4, 2021

What Is It Like to be Born Into Goodness?

 



                                            Laura and her mother, Susan



It reminds me of a quote I saw online - “Found on a computer file search: Happiness does not exist. Do you wish to create it?”


I was not born into goodness. I had to create it. (It’s all in my novel, Holy Days.)


I'll tell you what it is like to be born into goodness - you can grow roses!


Lately, I’ve been watching a lot of wonderful home shows hosted by wonderful people who are so good and gracious it's hard to believe they really exist, but trust me when I say no one is that good an actor - you cannot fake what you don’t know.


I’ve been watching Ben and Erin in Home Town. They’re wonderful. Jenny and Dave in Fixer to Fabulous. Equally wonderful. (Jenny and Dave have adopted a child from the Congo, so not everyone in the family was born into goodness, but she’s living there now!)


Mostly, I’ve been watching Garden Answer. Every day I watch the beautiful, blue-eyed, auburn-haired Laura Le Boutillier enthusiastically dig holes. I watch her plant beautiful plants. But, what I really love is hearing her voice. I have to hear the very beginning of every video when she calls out, “Hey, guys! How’re ya doin’?” She talks to me.


She’s my best friend and my husband, though he likes her very much, is tired of hearing about her. In spite of himself though, he gets drawn in. Together, he and I laugh at the antics of Laura’s ginger cat, Russell. Russell suddenly appears behind Laura as she explains about compost, he approaches the porch, he abruptly leaps on to the porch railing, gently balances on the arm of Laura’s chair, settles delicately into her lap, peers over the edge of the computer screen. Lol!


It’s all mesmerizing.


A nurse writes in the comments on YouTube that she gets to work a half hour early every day so she can watch Laura before work.


Laura has over 5 million followers on social media. 1.23 million subscribers on YouTube. I don’t even subscribe, but I’m there every day, sometimes more than that, checking on Facebook if she’s posted another  photo of her gorgeous garden. I especially love what Laura calls her Versailles area, a gentile corner of soft sweetness complete with a Grecian statue of the Goddess Hebe. Laura’s husband, Aaron (they work together so well that after 15 years of marriage, they practically finish each other's sentences) is mostly invisible behind the camera, but he does pop up now and then helping to lift the big pots on to the fork lift that Laura just drives away. It’s adorable to see her delicate form driving off atop heavy machinery. And, if all this wasn't enough, she just popped out another baby, a girl, Samantha Grace!


In today’s video, Laura opened boxes. Garden supplies were in the boxes. It was super fun. She loaded up the Gator (a cool electric golf cart/jeep) with huge boxes and drove them over to a shaded area where she had a party opening them on the lawn. Laura’s son, Benjamin has a mini gator. There’s video of Benjamin tooling around in his mini car, careful to avoid tulips and the robo mower, which is almost as cute in a R2D2 kind of way.


My favorite video is the April flower arrangement. Russell is in it a lot and so is her other ginger kitty, Cheddar. 


I sent Laura and her mother, Susan (Susan is model gorgeous and a very funny addition to the videos. Laura and Susan laugh a lot.) copies of my poetry book, Telling Time By Apples and Other Poems About Life on the Remnants of Olde Humphrey Farme. Funny thing about writers, we keep trying to communicate. People send Laura gifts all the time. I wanted to send Laura something. The address listed online is not her home, but her parents’ garden center. Yes, Laura was born to the garden. She’s not a reader, though. She describes herself as a “doer.” But, I think she’ll appreciate the beauty of the book. It is a work of art. And love.


It’s not lost on me that the pandemic has made simple pleasures like home and garden so appealing. My husband loves Laura’s “can-do” spirit. He also loves Ben and Erin; Jenny and Dave, and those two lively twin sisters, Leslie and Lyndsay on Unsellable Houses for the same reason. “They just go ahead and do it!” I love them too.


Maybe Laura will mention me and my poetry book in one of her videos. It will be a moment like the one in Fahrenheit 451 when the television screen speaks to Julie Christie’s character, “Linda! What do you think Linda?” And she gets all befuddled and shy. That would be pretty exciting. But, Laura, you don’t have to mention anything. Maybe drop me an email. 


One other thing Laura has accomplished. My best friend has also fallen in love with Garden Answer. I can’t tell you how great it is to speak with her again about real and beautiful things that we both love. I’ve missed that. Her job and her family has kept her so busy these past 10 years, we’ve lost those precious times we used to spend together.


Thank you, Laura. Thank you for all you do. 


I can’t wait till the next video.




©Patricia Goodwin, 2021


Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation. Her latest novel is Low Flying, about two women suffering psychologically abusive marriages who find and nurture each other. Her newest poetry books are Telling Time By Apples, And Other Poems About Life On The Remnants of Olde Humphrey Farme, illustrated by the author, and Java Love: Poems of a Coffeehouse.


Within this blog, Patricia writes often about non-fiction subjects that inspire or disturb her, hopefully informing and inspiring people to be happy, healthy and free.








Friday, January 29, 2021

HOLY DAYS: Bettina and Susie

 Lately, I've been finding a lot of strength looking at family photos. Here is a photo taken in 1957 of my mother, her beautiful red hair in pin curls, my great aunt and her movie star pretty girlfriend. They seem to be looking at a family photo album - fitting. My aunt and her girlfriend were brave. My mother welcomed them; no one else in the family would receive them. They came to do my mother's hair and insisted on having a reason to come when my mother would say, "Oh, just come over!"

Here is a chapter from my novel, Holy Days inspired by my Great Aunt Bettina and her love, Susie.


REVERE, 196-

BETTINA AND SUSIE


“In the home,” Daddy was saying, his voice cracked with sobs, “they never let us...”

“Take it easy, Billy,” consoled my mother’s Aunt Bettina, with her deep voice,  “that’s all over now. You got a nice family now and a nice home. You made it out of there. Right?” 

With her own strong grip, she held his trembling hand across the kitchen table. He didn’t often do that, break down about the home in which he had spent much of his childhood, but, occasionally, if the conversation hit a nerve, he crumbled.

They’d been talking about me reading at the dinner table, how I always had a book and whether or not it was a good thing. Daddy broke down because the priests wouldn’t let them read books. If they were caught doing nothing, as the priests called it, they’d be given work to do, like scrubbing the toilets or the long staircase in the rectory.

Aunt Bettina had a voice as deep and gruff as a man’s could be. She fooled me every time she called on the phone. 

“Rosie, there?” she asked in the playful tone of a man, who was strange to me, but who seemed to know Ma secretly and very well.

My back went up like a little porcupine. Who was this guy who thought he could talk to my mother like he was her boyfriend? Annoyed, I handed Ma the receiver.

“It’s a man,” I said, disapprovingly.

She looked quizzical. Her insurance broker? A salesman?

I could hear the male voice laughing, deep and loving, echoing along the little space between Ma’s ear and mine.

“It’s a man, Rosie! It’s a man!” Aunt Bettina teased.

Ma laughed, looking my way and shaking her head.

“It’s your Aunt Betty, you stupid,” she said, affectionately.

We were supposed to call her Auntie Betty, but I couldn’t resist calling her Aunt Bettina, which was a much prettier name. She was a small woman who wore her thick brown hair short and combed straight back from her noble forehead. She smoked more cigarettes than Daddy. When she visited Ma, she drank Lipton tea, but I always envisioned a heavy set glass of whiskey rather than Ma’s crockery mug with the tea bag’s tiny string and label dangling out that seemed so fragile in front of her square body. Aunt Bettina was Grandma’s sister, but our family was the only one who would receive her.

She came, always, with her girlfriend, Susie, who called her Tina, in a secret pet way, which was lovely to hear. Susie had pressed gold hair that she wore in the style of the glamorous movie stars of the Thirties, like Carroll Lombard or Betty Davis, in permanent waves cascading close to her skull. She held her neat, golden head very erect upon her tall, thin frame, like a ballet dancer. 

Bettina and Susie had to have a purpose for coming, usually to do something for Ma. Maybe, that was their way of rationalizing this risk to Ma’s standing in the family. I had no idea why Aunt Bettina wasn’t welcome at Grandma’s house, Grandma, who was the most generous person I knew, but the only thing wrong with her was her voice and her hair, so, I assumed, whatever these were clues of, that was the reason. This “reason” floated above Bettina and Susie like - curiously enough - halos, since it seemed to single them out for a perverse kind of sainthood.

In fact, there was something uncannily sweet and fine about Bettina and Susie. Bettina and Susie. Why do some of the names of our pasts ring out like the bells of heaven? And others like the tolls of hell? Bettina and Susie, two saints, two angels kicked out of the church, but, I was sure, not out of heaven.

On this night, Susie stood and retouched Ma’s hair with Blondex while everyone talked. I was reading Dickens, “real reading,” not for school. I always read every book the author had written, not just what I had to read for school. “Real reading” became like a song for me.

Ma sat without her glasses, her beautiful eyes puffy from the shampoo, a towel spread over her shoulders, the squirmy terrier in her lap. Susie called Tareyton, “La Pishashta,” in bastardized Italian, the little pisser. Ma handed Susie bobby-pins as Susie sectioned the wet, dark red hair, spun the ribbons of hair on her finger and pinned them in little circles against Ma’s head, till Ma’s hair disappeared and she was wearing a bathing cap of tight red spirals. Daddy sat with us, which was a phenomenon, a tribute to Aunt Bettina, really. He kept trying to give her “a little shot” with her tea.

They were asking me about the tiny print and the thin pages in my book.

“Look at the pages! So thin! Like the Bible! How the hell kin you see those words, Gloria? You’re going to ruin your eyes! Billy, you should get her a magnifying glass, no shit.”

Daddy laughed, kind of proud of me, “Ah, she loves that stuff! The smaller the print, the thinner the paper, the better! What’s that? Shakespeare?”

“Dickens.”

I called all the books by their authors now, no matter what the title, they were Dickens or Stewart or du Maurier.

“Oh!” he said, like he knew.

“She should be a teacher,” Aunt Bettina advised.

Susie agreed. She nodded, bobby pins jammed in her mouth.

“I’m going to be a writer,” I said.

“Mmmm!” Susie murmured, impressed.

“A what? What, like for a newspaper?” Aunt Bettina growled.

“No, like for books.”

“That’s no good! Be a teacher! You get your summers off.”

Everyone agreed, I could travel, they said. I’d get paid for my summers and have them off too. 

“She’s always reading,” Ma told them. 

“Oh, yeah? You should be a teacher, then.”

“She even brings a book to the table. I have to tell her every night, no reading at the table,” Ma said, proudly, handing Susie another bobby pin for her mouth. 

“Oh, that’s no good. You shouldn’t read at the table,” Aunt Bettina told me.

“I can’t stop,” I said. 

That’s when we noticed Daddy’s eyes had gone all red and the tears started to drop, one by one, on the table. He sniffed and Aunt Bettina asked him what was wrong.

He told us about the orphanage. Things leaked out, from time to time, about his past, things leaked, just like his tears, one by one and fell before us. I still don’t know everything I should about my father’s life, all the mysteries, all the reasons. But, I couldn’t stand to see him cry. My stomach hurt, as though someone powerful had grabbed it full in his fist and twisted it mercilessly. Tears gathered in my own eyes, Susie looked pained and Ma looked down at the pins held tightly in her red-tipped fingers. 

“I keep having this dream,” I said, quietly.

They all looked at me.

“What? Like Martin Luther King?” Aunt Bettina joked uncomfortably, trying to break the tension.

I smiled. “Kind of. The Communists come marching down the street. Right down Hichborn, with tanks and soldiers doing that step - what is it?”

“The goosestep,” Daddy sniffs.

“Yeah, the goosestep. I can see them and hear their feet coming right down our street where we use to play and I’m terrified. Next thing I know, they’re storming up the steps to my room; they make so much noise it scares me to death. They have guns with bayonets and big boots and helmets, like the Nazis. I keep getting them mixed up with the Nazis. They start tearing the books off my shelves and they’re going to arrest me and take the books away and burn them. It’s funny, one of the books they take is The Diary of Anne Frank. And in my dream, I walk right up to the leader, the sargeant, or whatever he is, and I say, “You can’t take them from me. I’ve already read them.”

They were silent a minute, then Aunt Bettina said, “You should come down and talk more often, Gloria.”

It was true. I never came down from my room. I’d created another world up there with my books and my heroes. But, I’d made a special effort this night because Bettina and Susie had brought me clothes. Beautiful clothes. Aunt Bettina’s old cashmere sweaters that had a faint odor and coating of dry cleaning which clung to my hands like a film of oldness after touching the soft cushy fabric, but I didn’t mind; the colors were deep browns and greens, the colors of the forest at night and no one had ever given me anything so fine. There was also a fuchsia wool jacket of impeccable tailoring, not that I would have known what such a thing as impeccable tailoring was, I just knew it when I saw it. The jacket had short sleeves and I marveled that a woman could be cool enough to need a jacket, but warm enough to not need sleeves.

It was then that Jakey walked in the back door with Rick right behind him. 

“Where you comin’ from?” Daddy asked Jakey.

Jakey shrugged, “Nowheres.”

Aunt Bettina studied them both. Susie went on with Ma’s hair as though she had no need to study them, she already knew what she’d find. 

“Clean your feet!” Ma hollered, after they were on their way upstairs.

As he passed me, Rick mumbled, “Body by Fisher” and Daddy’s head jerked round in my direction.

“What did he say?”

“I don’t know,” I lied. It was from a car commercial, something about the sleek body lines of the car. Earl Rizzo had started calling me that.

“He’s a little scumbag, huh?” Aunt Bettina asked Daddy.

Daddy polished off the dregs of his beer.

“You said it!” he agreed.

“What the hell happened to his face?” she asked.

There was an awkward silence for a minute while we waited for each other to answer her. 

“He was hit by a truck when he was little,” I said.

“Jesus!”

“Want some more tea, Betty?” Ma asked her.

“Sure, Rosie.”

“Kin I interest ya in a wee drop o’ the creacha’, Betty?” Daddy teased with a mock Irish brogue.

It was amazing how quickly and how often my loyalties shifted. How war wasn’t as simple as it should be - it was more like the stories people tell afterwards, as when a prisoner actually has to live with his enemy and the enemy takes care of him, nurses him back to health, and, finally, hides him from his own side and helps him to escape. There was never a time when I could forget, never a time when I could believe that Daddy was my father. At times, he was the enemy and I was his prisoner, and at other times, I was caring for him and hiding him, sorry we were enemies. Never did I plan his escape. No, in fact, I was sure I should kill him. If I were honorable and brave, I would have killed him by now. No hero would have eaten his food or drunk with him at his table. I should have run him through with my sword a long time ago. That much was clear.

What was not clear was why his tears cut through me like a sword. Why it made me proud sometimes to think of him. Why it repulsed me right now to watch him getting another drink, and absentmindedly scratching one foot with the rough, peeling skin of the other. Why I let Rick talk to me like that. Why I was proud to have him think I had a Body by Fisher. Why I was proud that he’d been hit by a truck and was so tough he was still walking around. I should kill them both. I should kill them. Why didn’t I? Why?


©Patricia Goodwin, 2015


Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation. Her latest novel is Low Flying, about two women suffering psychologically abusive marriages who find and nurture each other. Her newest poetry books are Telling Time By Apples, And Other Poems About Life On The Remnants of Olde Humphrey Farme, illustrated by the author, and Java Love: Poems of a Coffeehouse.


Within this blog, Patricia writes often about non-fiction subjects that inspire or disturb her, hopefully informing and inspiring people to be happy, healthy and free.


Sunday, June 28, 2015

HOLY DAYS - Love & Horror







“They tried to kill me in this place of love and horror. They tried to kill me, but they couldn’t because I loved too much.” – Gloria Wisher, Holy Days

This morning I read an AP news story about the terrorist shootings at a Tunisian resort in which a shooter opened fire on tourists relaxing on a beach. The writer, Elaine Ganley described the scene: “From accounts of the attack by shocked survivors, tourists who stayed on, lifeguards and beach employees who helped at the site of the massacre emerge stories of love and horror.”
The same can be said for the terrorist bombing of the Boston Marathon, during which some people ran from the disaster and others ran toward the horror to do help all they could. Or the 911 terrorist attack on the World Trade Towers, most people ran away, others, some of them trained professionals, some extraordinary citizens, ran toward the danger to give aid. Our own soldiers rush toward horror in war and they do so out of love, love for country, love for duty, love for honor. Abused children, it has been noted, suffer from the same PTSD as our soldiers. However, in the case of child abuse, the trauma is ongoing like war, not past, until the child grows up.
This morning, I was struck by the similarity of the words Gloria speaks about her home and the description of a terror attack. I have often compared my character, Gloria Wisher to someone who is being terrorized. Nothing so overtly terrible as gunshots or bombings is happening to Gloria. She is being covertly harmed by the very people who are supposed to love and protect her. However, unlike the other terror victims, Gloria is too small to run away. In Holy Days, Gloria Wisher has no choice but to remain in the place of her horror, in the family and the neighborhood where she is being molested.
In another sense, Gloria also runs toward the horror. Gloria never stops loving her family, and her father. In a larger sense, Gloria also loves her home and her neighborhood. She clings to them as a kidnapped victim clings to her kidnapper for food, shelter, comfort – and identity - creating a  Stockholm Syndrome of childhood. She loves the boy who will rape her. How can this happen? Maybe it’s because Gloria, though young, is a devout Catholic. But, this love does not involve the Catholic Church or Catholic doctrine. She loves as Jesus loved. This love is not about forgiveness. It’s pure love. Love of life, love of the pain as well as the joy. Gloria’s rapist was hit by a truck when he was little, but survived with a disfiguring scar over his eye that mirrors his disturbed mind. Gloria admires him for surviving such an ordeal. She admires his toughness and his bravery. But, she is also afraid of him. The rapist in Holy Days is a metaphor for the larger scene of horrors that Gloria must struggle with every day. How much of what happens is a part of her? How much should she transform or reject? Gloria loves the people, the smells, the roughness, the softness, the fear and the comfort. On one hand, we love our homes, on the other; we are sometimes hurt by what happens there. By no means am I suggesting that women should love their rapists. It is a fact, however, that the terror of a bad home is very bound up with love.
            A few years ago, I was asked to write a poem for peace. The occasion was a Day of Peace, and I wrestled with this request. Many of my friends were going to be present. They were all writing poems. I was expected to come up with a poem about peace. But, I was bitter. I did not believe in peace. I did not think mankind could ever achieve what my wonderful friends and colleagues were so starry-eyed and hopeful for. So, when I sat down to write, I began with those words, “I do not believe in peace.” I ended the poem with these words, words that describe terrorism of all kinds: “And, I do not believe in hate, because all hate is really love of something else.”  

©Patricia Goodwin, 2015

Patricia Goodwin is the author of Holy Days, about the survival and transformation of Gloria Wisher, When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low.

Wednesday, June 4, 2014

MEMO







Memo to Catholic Church:


Mary was an unwed mother

Jesus was illegitimate




Rest in Peace


2,000

©Patricia Goodwin, 2014

Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low.