Showing posts with label lover. Show all posts
Showing posts with label lover. Show all posts

Friday, January 29, 2021

HOLY DAYS: Bettina and Susie

 Lately, I've been finding a lot of strength looking at family photos. Here is a photo taken in 1957 of my mother, her beautiful red hair in pin curls, my great aunt and her movie star pretty girlfriend. They seem to be looking at a family photo album - fitting. My aunt and her girlfriend were brave. My mother welcomed them; no one else in the family would receive them. They came to do my mother's hair and insisted on having a reason to come when my mother would say, "Oh, just come over!"

Here is a chapter from my novel, Holy Days inspired by my Great Aunt Bettina and her love, Susie.


REVERE, 196-

BETTINA AND SUSIE


“In the home,” Daddy was saying, his voice cracked with sobs, “they never let us...”

“Take it easy, Billy,” consoled my mother’s Aunt Bettina, with her deep voice,  “that’s all over now. You got a nice family now and a nice home. You made it out of there. Right?” 

With her own strong grip, she held his trembling hand across the kitchen table. He didn’t often do that, break down about the home in which he had spent much of his childhood, but, occasionally, if the conversation hit a nerve, he crumbled.

They’d been talking about me reading at the dinner table, how I always had a book and whether or not it was a good thing. Daddy broke down because the priests wouldn’t let them read books. If they were caught doing nothing, as the priests called it, they’d be given work to do, like scrubbing the toilets or the long staircase in the rectory.

Aunt Bettina had a voice as deep and gruff as a man’s could be. She fooled me every time she called on the phone. 

“Rosie, there?” she asked in the playful tone of a man, who was strange to me, but who seemed to know Ma secretly and very well.

My back went up like a little porcupine. Who was this guy who thought he could talk to my mother like he was her boyfriend? Annoyed, I handed Ma the receiver.

“It’s a man,” I said, disapprovingly.

She looked quizzical. Her insurance broker? A salesman?

I could hear the male voice laughing, deep and loving, echoing along the little space between Ma’s ear and mine.

“It’s a man, Rosie! It’s a man!” Aunt Bettina teased.

Ma laughed, looking my way and shaking her head.

“It’s your Aunt Betty, you stupid,” she said, affectionately.

We were supposed to call her Auntie Betty, but I couldn’t resist calling her Aunt Bettina, which was a much prettier name. She was a small woman who wore her thick brown hair short and combed straight back from her noble forehead. She smoked more cigarettes than Daddy. When she visited Ma, she drank Lipton tea, but I always envisioned a heavy set glass of whiskey rather than Ma’s crockery mug with the tea bag’s tiny string and label dangling out that seemed so fragile in front of her square body. Aunt Bettina was Grandma’s sister, but our family was the only one who would receive her.

She came, always, with her girlfriend, Susie, who called her Tina, in a secret pet way, which was lovely to hear. Susie had pressed gold hair that she wore in the style of the glamorous movie stars of the Thirties, like Carroll Lombard or Betty Davis, in permanent waves cascading close to her skull. She held her neat, golden head very erect upon her tall, thin frame, like a ballet dancer. 

Bettina and Susie had to have a purpose for coming, usually to do something for Ma. Maybe, that was their way of rationalizing this risk to Ma’s standing in the family. I had no idea why Aunt Bettina wasn’t welcome at Grandma’s house, Grandma, who was the most generous person I knew, but the only thing wrong with her was her voice and her hair, so, I assumed, whatever these were clues of, that was the reason. This “reason” floated above Bettina and Susie like - curiously enough - halos, since it seemed to single them out for a perverse kind of sainthood.

In fact, there was something uncannily sweet and fine about Bettina and Susie. Bettina and Susie. Why do some of the names of our pasts ring out like the bells of heaven? And others like the tolls of hell? Bettina and Susie, two saints, two angels kicked out of the church, but, I was sure, not out of heaven.

On this night, Susie stood and retouched Ma’s hair with Blondex while everyone talked. I was reading Dickens, “real reading,” not for school. I always read every book the author had written, not just what I had to read for school. “Real reading” became like a song for me.

Ma sat without her glasses, her beautiful eyes puffy from the shampoo, a towel spread over her shoulders, the squirmy terrier in her lap. Susie called Tareyton, “La Pishashta,” in bastardized Italian, the little pisser. Ma handed Susie bobby-pins as Susie sectioned the wet, dark red hair, spun the ribbons of hair on her finger and pinned them in little circles against Ma’s head, till Ma’s hair disappeared and she was wearing a bathing cap of tight red spirals. Daddy sat with us, which was a phenomenon, a tribute to Aunt Bettina, really. He kept trying to give her “a little shot” with her tea.

They were asking me about the tiny print and the thin pages in my book.

“Look at the pages! So thin! Like the Bible! How the hell kin you see those words, Gloria? You’re going to ruin your eyes! Billy, you should get her a magnifying glass, no shit.”

Daddy laughed, kind of proud of me, “Ah, she loves that stuff! The smaller the print, the thinner the paper, the better! What’s that? Shakespeare?”

“Dickens.”

I called all the books by their authors now, no matter what the title, they were Dickens or Stewart or du Maurier.

“Oh!” he said, like he knew.

“She should be a teacher,” Aunt Bettina advised.

Susie agreed. She nodded, bobby pins jammed in her mouth.

“I’m going to be a writer,” I said.

“Mmmm!” Susie murmured, impressed.

“A what? What, like for a newspaper?” Aunt Bettina growled.

“No, like for books.”

“That’s no good! Be a teacher! You get your summers off.”

Everyone agreed, I could travel, they said. I’d get paid for my summers and have them off too. 

“She’s always reading,” Ma told them. 

“Oh, yeah? You should be a teacher, then.”

“She even brings a book to the table. I have to tell her every night, no reading at the table,” Ma said, proudly, handing Susie another bobby pin for her mouth. 

“Oh, that’s no good. You shouldn’t read at the table,” Aunt Bettina told me.

“I can’t stop,” I said. 

That’s when we noticed Daddy’s eyes had gone all red and the tears started to drop, one by one, on the table. He sniffed and Aunt Bettina asked him what was wrong.

He told us about the orphanage. Things leaked out, from time to time, about his past, things leaked, just like his tears, one by one and fell before us. I still don’t know everything I should about my father’s life, all the mysteries, all the reasons. But, I couldn’t stand to see him cry. My stomach hurt, as though someone powerful had grabbed it full in his fist and twisted it mercilessly. Tears gathered in my own eyes, Susie looked pained and Ma looked down at the pins held tightly in her red-tipped fingers. 

“I keep having this dream,” I said, quietly.

They all looked at me.

“What? Like Martin Luther King?” Aunt Bettina joked uncomfortably, trying to break the tension.

I smiled. “Kind of. The Communists come marching down the street. Right down Hichborn, with tanks and soldiers doing that step - what is it?”

“The goosestep,” Daddy sniffs.

“Yeah, the goosestep. I can see them and hear their feet coming right down our street where we use to play and I’m terrified. Next thing I know, they’re storming up the steps to my room; they make so much noise it scares me to death. They have guns with bayonets and big boots and helmets, like the Nazis. I keep getting them mixed up with the Nazis. They start tearing the books off my shelves and they’re going to arrest me and take the books away and burn them. It’s funny, one of the books they take is The Diary of Anne Frank. And in my dream, I walk right up to the leader, the sargeant, or whatever he is, and I say, “You can’t take them from me. I’ve already read them.”

They were silent a minute, then Aunt Bettina said, “You should come down and talk more often, Gloria.”

It was true. I never came down from my room. I’d created another world up there with my books and my heroes. But, I’d made a special effort this night because Bettina and Susie had brought me clothes. Beautiful clothes. Aunt Bettina’s old cashmere sweaters that had a faint odor and coating of dry cleaning which clung to my hands like a film of oldness after touching the soft cushy fabric, but I didn’t mind; the colors were deep browns and greens, the colors of the forest at night and no one had ever given me anything so fine. There was also a fuchsia wool jacket of impeccable tailoring, not that I would have known what such a thing as impeccable tailoring was, I just knew it when I saw it. The jacket had short sleeves and I marveled that a woman could be cool enough to need a jacket, but warm enough to not need sleeves.

It was then that Jakey walked in the back door with Rick right behind him. 

“Where you comin’ from?” Daddy asked Jakey.

Jakey shrugged, “Nowheres.”

Aunt Bettina studied them both. Susie went on with Ma’s hair as though she had no need to study them, she already knew what she’d find. 

“Clean your feet!” Ma hollered, after they were on their way upstairs.

As he passed me, Rick mumbled, “Body by Fisher” and Daddy’s head jerked round in my direction.

“What did he say?”

“I don’t know,” I lied. It was from a car commercial, something about the sleek body lines of the car. Earl Rizzo had started calling me that.

“He’s a little scumbag, huh?” Aunt Bettina asked Daddy.

Daddy polished off the dregs of his beer.

“You said it!” he agreed.

“What the hell happened to his face?” she asked.

There was an awkward silence for a minute while we waited for each other to answer her. 

“He was hit by a truck when he was little,” I said.

“Jesus!”

“Want some more tea, Betty?” Ma asked her.

“Sure, Rosie.”

“Kin I interest ya in a wee drop o’ the creacha’, Betty?” Daddy teased with a mock Irish brogue.

It was amazing how quickly and how often my loyalties shifted. How war wasn’t as simple as it should be - it was more like the stories people tell afterwards, as when a prisoner actually has to live with his enemy and the enemy takes care of him, nurses him back to health, and, finally, hides him from his own side and helps him to escape. There was never a time when I could forget, never a time when I could believe that Daddy was my father. At times, he was the enemy and I was his prisoner, and at other times, I was caring for him and hiding him, sorry we were enemies. Never did I plan his escape. No, in fact, I was sure I should kill him. If I were honorable and brave, I would have killed him by now. No hero would have eaten his food or drunk with him at his table. I should have run him through with my sword a long time ago. That much was clear.

What was not clear was why his tears cut through me like a sword. Why it made me proud sometimes to think of him. Why it repulsed me right now to watch him getting another drink, and absentmindedly scratching one foot with the rough, peeling skin of the other. Why I let Rick talk to me like that. Why I was proud to have him think I had a Body by Fisher. Why I was proud that he’d been hit by a truck and was so tough he was still walking around. I should kill them both. I should kill them. Why didn’t I? Why?


©Patricia Goodwin, 2015


Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation. Her latest novel is Low Flying, about two women suffering psychologically abusive marriages who find and nurture each other. Her newest poetry books are Telling Time By Apples, And Other Poems About Life On The Remnants of Olde Humphrey Farme, illustrated by the author, and Java Love: Poems of a Coffeehouse.


Within this blog, Patricia writes often about non-fiction subjects that inspire or disturb her, hopefully informing and inspiring people to be happy, healthy and free.


Sunday, October 11, 2015

HOLY DAYS – The Nazi





     Gloria Wisher has an imaginary Nazi lover. I had an imaginary Nazi lover.
    Like my heroine in Holy Days, Gloria, I was born in 1951. Though WWII had ended six years before, my parents and grandparents talked a lot about the Nazis. I heard fearful stories about the Nazis in the same way I heard fairy tales or nursery rhymes. I was just as afraid of the wolf in “The Three Little Pigs,” and constantly asked my mother, “What’s our house made of?” “Wood.” “Is that the same as sticks?” “I guess so, why?” “Because the wolf can blow down sticks.” I asked the same kind of questions about the Nazis. My mother went around the house saying, “The Nazis fixed everything, they fixed everything.” By that she meant they had taught us how to kill and how to be cruel on a global level. Usually this outburst was sparked by an atrocity on the news. The adults frequently made remarks such as “The Italians would have been next because they changed sides during the war.” “But Grandma’s Italian!” I had heard tales of what could happen if you had a Jewish grandmother and I was worried. “Oh, don’t worry, the Germans lost the war.” Or when my mother would answer my queries with, “Oh, the Nazis would have loved you! You got the blonde hair and the green eyes!” Daddy said, “They would’ve come after people with freckles next.” “Do I have freckles?” “A few.” “Don’t worry, the Nazis lost the war.”
     But, I worried. I could hear a certain tone of stunned admiration in the adult’s voices. I knew in my child’s heart that they secretly admired certain qualities of their Nazi enemy. Power. Control. Cunning. Relentlessness. The singular awe that the Nazi terror and the Holocaust had actually occurred. That awe would remain hanging in the air in the inevitable silence that followed every discussion.
     And, the movies. As a shy child, I watched a lot of television by myself rather than going out to play, where I was constantly bullied by kids who beat me up for getting As. I stayed in and watched many, many black and white movies about the Nazis: Nazi experiments, Nazi concentration camps, the French Underground, weeping men and women as the Nazis marched into Paris, people living in bombed out shells of buildings, people pulling hidden bottles of wine, sausages and loaves of bread out from their tattered coats to share with Jews hidden in their walls. I saw “The Diary of Anne Frank,” I saw “The Pawnbroker.” When the pawnbroker said, “I didn’t die. Everything I loved was taken from me and I did not die.” I was oddly comforted. At the time, I was a devout Catholic child who believed in the trials of the Catholic saints. Like the Catholic saints, the lesson learned was: if it’s not the boiling oil, if it’s not the concentration camp, then you are going to be okay. You can take it. I had been abused and I was already wondering what had happened to me, wondering why such a thing had been done by the very person who was supposed to be protecting me, but I knew that it was not as bad as what had happened to the pawnbroker, or the saints, and, if I had anything to say about it, I was going to be okay.
     I was eleven. I had no conscious knowledge of the fact that I had already been abused when I was three years old. But that wouldn't have changed my determination.
     I wrote Holy Days for the children. I know children can’t read the book because of its sexual content, but I also know that children are out there ironically enduring and suffering from the very acts they cannot read about and really should read about because they would know if they read Holy Days that they’re going to be okay, that they can be okay. I hope adults will read it and start treating children like cognizant beings who know something’s going on about which they need to be told the truth and comforted.
     I created a Nazi lover and I gave this Nazi to Gloria to help her gain some power and control over what was happening to her. Here is her first encounter with the Nazi, which she uses to try to explain a sexual assault by “the boy next door,” her mother’s best friend’s son, who did everything the Nazi does to Gloria in this scene:

THE NAZI
The Nazi officer came into the room. He looked at me where I was, on the bed. There was nothing in the room but a bed, lamp and table. No curtains on the window, which looked out on a bleak, winter field.
            The Nazi was handsome. He was always handsome. I wasn’t afraid of him. I loved him because he kept me safe in this room and he was never cruel to me; he was always kind.
           Never was there any question of my family or my friends, never any betrayal, or any politics, only this handsome man slowly removing his uniform, coming over to me where I was on the bed.
            I was naked, under the covers. Warm and naked. I was giving him something he could not get outside this room.
            He lay on top of me, but, suddenly, he was wearing his full uniform again! He pushed himself hard against me, and again, hard.

            Then, he was naked again, and he held me. His warm, wet lips brushed against my cheek, which was cold, exposed as it was to the chill in the room.

     We see two more encounters with Gloria and this Nazi, but Gloria makes it clear that she has created many such encounters, scenarios in which she controls the action. I don’t think people are aware of how many times beautiful women are sexually assaulted in their lives. Beautiful women are treated as objects of desire for the entitlement of men. They are presented this way in the media and in life. Like Gloria, men stopped their cars for me as I walked to the library, to school or to church from the time I was about twelve years old and could go places alone.  Many, many times I could have been killed if I had been a different sort of girl, an adventurous girl who might have thought a car ride was preferable to walking alone. Luckily, God made me shy. My life was saved over and over by the fact that I preferred to walk by myself. After a while, beautiful women begin to value men who do not try to have sex with them, men who actually like them for conversation, friendship, and dare I say it, their minds. But, I digress. My point in digressing is that Gloria had many, many incidents she needed to explain to herself, many times when she needed the Nazi to protect her. Why she didn’t choose the Allies, I cannot say, except that by conquering the Nazi (who also finds respite from the war in that room), she had conquered the worst enemy of all.
     During her many lonely hours of reflection and observation watching television, Gloria also sees the resemblance of our culture to the Nazi ideal. Over and over she sees the physical perfection of advertising models, TV personalities and Hollywood actors. “Perfection,” Gloria decides, “is the minimum daily requirement.”
     And when President Kennedy is assassinated in 1963, Gloria is twelve.

NOVEMBER 22, 1963

THE MOMENT
What difference does it make to history or anything else where any of us were at the precise moment we heard?
            The difference is this: that was the moment we all, collectively, stopped believing.
            We stopped believing in goodness.
          Mama used to click her tongue, whenever she thought about it, in her vague, muddled way: “The Nazis fixed everything, they fixed everything, they fixed!” She was right. The Nazis made it so we could get used to anything. Someone, a man who had survived the death camps, talked once about being forced to shovel graves for the Nazis. He talked about how enormous the hole was and how cold he and the other shovellers were, how very cold. He talked about seeing a weed blowing in the cold wind and thinking how happy he was to be alive, just to see that weed, to know the weed was alive under the freezing snow and how grateful he was to feel the terrible cold because he was alive - and he knew, then, that human beings could get used to anything.
           For a long time, the Nazis were very far away. First, they were in Europe, then, they were in the past. The Nazis were not us, but we became them. We invited them in.
          From the moment the shot rang out, the Nazis, like the devil himself, rose up from hell and rushed to our side. From that moment on, we learned to turn our heads and check our backs; we learned suspicion and fear. At first we were horrified at ourselves and then, we got used to our fear. And then, we got used to our horror. And, then, we became proud of our horror and began to wear it ahead of us, not as a shield, as a medal.
         We were so frightened by the Nazis, that we became the Nazis in order to keep it from happening to us again. We had the comfort of knowing, no matter what we did, no matter how evil, we could never be as bad as the Nazis.
         In Revere, bad had become a virtue. Bad was it. I heard of kids who wouldn’t come to Revere. That struck me as funny, because there were other cities, like Dorchester and Roxbury, where I was afraid to go, even in the car with my parents. Sometimes, bad is all there is. It starts to look good after a while. Bad makes you tough. It makes you ready.

     I still think of Gloria’s assessment when I watch the news. When I watch cops beating people in the streets, when I watch race riots, when I see women’s rights being taken away, when I read stories about children being sexually abused or sexually trafficked, when I see old people being disrespected, when I see LGBTs being mistreated, when I see the sacred lands of indigenous peoples being fracked, when I see our veterans neglected, homeless, jobless, and suffering from their wounds, when I see the earth melting, and the DNA of everything God created being arrogantly altered for money, I think of what the Nazis taught us: how to be ruthless, how to take from others, how to hurt and maim and tear apart – but not destroy – no, because ultimately, like Gloria I believe in the triumph of good over evil. I need to quote a hero (who shall remain anonymous, unless you recognize her) from a sci-fi thriller, a line that has helped me survive: “God never lets the devil win.” Ultimately, whether we become Nazis or not is our choice. Ultimately, no matter what we suffer, we get to choose whether to be good or evil. Evil cannot kill us. But good can help us live. As my dear Gloria said: “They tried to kill me in this place of love and horror. They tried to kill me but they couldn’t because I loved too much.”

©Patricia Goodwin, 2015

Patricia Goodwin is the author of When Two Women Die, about Marblehead legends and true crime and its sequel, Dreamwater, about the Salem witch trials and the vicious 11-year-old pirate Ned Low. Holy Days is her third novel, about the sexual, psychological seduction of Gloria Wisher and her subsequent transformation.